The comedy is surprisingly lively, sparkling and witty, despite the fact that the plot is set by conventions that seem to be implausible: two pairs of separated twins, and even with the same names, because of which there are ridiculous confusions. Here, there is the atmosphere of the Italian Renaissance, and the topicality of the Shakespearean era, and some special Greek flavor, and a little lyricism, and satire on family customs, and the touchingness of meeting and reuniting family people, and all this is so naturally intertwined that it’s just a delight.