Pollyooly

Edgar Jepson's 'Pollyooly' is a delightful novel that follows the adventures of a resourceful young girl named Pollyooly as she navigates life in early 20th century England. With its charming narrative and vivid descriptions, the book offers a unique glimpse into the societal norms and values of the time. Jepson's writing style is both engaging and immersive, making it a compelling read for both young adults and adults alike. The book falls under the genre of children's literature but its themes of perseverance, wit, and independence make it a timeless classic. Overall, 'Pollyooly' is a heartwarming and entertaining tale that is sure to captivate readers of all ages.

Edgar Jepson (1863–1938) was an English author known primarily for his works in the adventure and mystery genres. His literary career, which spanned the late Victorian era through the Edwardian period, was marked by a prolific output of novels and short stories. Jepson's most notable contribution to literature is the charming series featuring the character Pollyooly, a cheerful and clever young girl who became a beloved figure in children's literature. His book 'Pollyooly: A Romance of Long Felt Wants and the Red Haired Girl Who Filled Them' encapsulates the blend of wit, wholesomeness, and the spirit of innocence that characterizes Jepson's writing style. Jepson attended Balliol College, Oxford and initially wrote poetry and literary criticism before turning to fiction. Though less celebrated today, in his time he was well-respected, known for his engaging plots and his capacity to capture the vicissitudes of English life, often with an undercurrent of subtle satire. Beyond the Pollyooly series, he authored numerous works, including detective novels which he penned alone and some in collaboration with other writers, such as the noteworthy 'The Mystery of the Myrtles' with Robert Eustace. Jepson's contribution to literature extends to his role as a mentor to younger writers and as a member of the informal literary group, the Idler's Club. His stylistic impact, though modest by contemporary standards, resonates in the niche of Edwardian fiction and children's literature.