"Amanat Al-Hob" represents a pioneering literary experiment in the early days of modern Arab theater. It was presented by Princess Iskandarah Constantine Al-Khoury in 1899 in a theatrical form that combines autobiography and literary fiction. The play is not merely a love story between Emilia and the Prince of Spain; rather, it reflects the spirit of its author and her bold feminist voice in an era when literature was more of a stage for Arabization and translation than a realm of authentic female creativity. Through its ambiguous love story and repressed pain, the play opens a window onto the world of women in the late nineteenth century, where the emotional intertwines with the personal, the subjective with the social, presenting the reader with a text brimming with astonishment and inspiration. This work is not merely a newly discovered, unknown theatrical work; rather, it is a literary and cultural testament to the presence and influence of Arab women in the early beginnings of the theatrical and feminist movements.

إسكندرة قسطنطين الخوري (1857–1924م) أديبة وشاعرة لبنانية، من أوائل النساء اللواتي شاركن في الحركة الأدبية في بلاد الشام، أسهمت في النهضة الأدبية بكتاباتها الشعرية والمقالات الاجتماعية.