New media art, produced at the intersection of art, science and technology, makes up the majority of a Museum of Contemporary Art's collections. However, technological obsolescence and technical fragility of the artworks make their conservation-restoration an ongoing challenge. A new theoretical approach to permanence through change addresses this problem and offers alternatives and solutions from the production to recreation of new media art.

PhD in Telecommunications from the Universidad Politécnica de Madrid and PhD in New Media Art Restoration from the Universidad Europea de Madrid. Producer and restorer of new media art. He is a regular collaborator of the Museo Nacional Centro de Arte Reina Sofía and professor at the Universidad Politécnica de Madrid and Universidad Complutense de Madrid.