In our opinion, the cultural criticism that reveals these readings is an investigation into the implicit systems and complex problems in the text, and dealing with them from the perspective that these systems are nothing but a human activity that takes from the art of the novel to investigate the essence of man with all his orientations and formations. Therefore, in its cultural reading of this group of novelistic texts, it distances itself as much as possible from the methodological tools used in modern literary criticism, and gives free rein to the critic-reader to interact with the text and respond to all its positives in illuminating different aspects of the text, such that it indicates what the writer wanted to embody, and at the same time highlights new points that were not in the writer's calculations when he formulated his novelistic work. It attempts to deal with the text through its commonly accepted cognitive and cultural values, its relationship to social theory, prevailing theories of psychoanalysis, the semiotics of literary criticism, symbolism and linguistics, and all the tools used in the techniques of the novelistic text, approximately.