Mohamed El Gamal's narrative possesses a unique flair, capturing the moment of the text in a diverse interweaving of reality and imagination. In "Coma Without Madness," he narrates the self and the illusion of reality. In "It Happened One Evening," he narrates events as if they were a crisis-ridden reality. In his two historical novels, "Basmatik the Third" and "Zaher the Hyena of the Battlefield," he embodies the power of historical reality and the power of present-day reality. In this novel, "Psalms of Satan," reality and imagination intertwine, weaving together in a harmonious narrative fabric, declaring his rejection of oppression, injustice, and tyranny, revealing the masks of politics, politicians, and the labyrinthine corridors of political parties.