Perhaps the relationship between the novel and the novelist is the core of what is expressed, and criticism of this art addresses it, starting from the emergence of the idea as an initial stage in which reality dialogues with the imagined, to the embodiment of this reality and the imagined and its emergence into the space of novelistic action that speaks of the images of life and its various variations in a human context, which carries the answer to many of the questions that are on the mind.
The novelist who searches for the law of the novel, and is always ready to enter its balanced, spacious world, always finds himself in a laboratory full of information and mutual relations between imagination and reality, history and man, time and place, earth and sky, black and white, and many dualities and contradictions that carry connotations of lived reality. Perhaps the novelist's subjectivity appears in one way or another in narrative writing, which is what is called conscious creativity.