This is a textbook on the play. The author intended it to benefit the student who studies this subject in England's schools, colleges, and universities. This student there represents for us the mass of intellectuals who are passionate about this study and do not find a systematic book to guide them. It benefits the student, the reader, and the critic to the same extent. What is the benefit of those who frequent acting houses, cinemas, and other fields of this fine art that connects all arts and brings them together in one contract? It is a book that teaches a person how to read a play, how to understand it, taste it, appreciate it, and analyze its elements. Rather, it teaches him how to write a play, and a good play, if he is lacking in the ability to compose and does not find anyone to pave the way for him with the theatrical culture that is necessary for the writer.