A revised version, of an introductory study addressing the dynamics of cognitive, discursive and narrative diversion and distortion.

First issued in 2003, as a critical exploration of classical cinematic storytelling, involving an integrated interplay of visual, verbal and conceptual Regeneration.

An independent writer and student of deeply deceptive and destructive ideas and illusions,
distinguishing a fundamentally fictitious and fallacious human universe.

Previously published;
"Diversion; Om hvordan. Og hvorfor vi strever. For å bedras...."
"On Presence, Absence and Classical Hollywood Distortion"